Reading the Megillot

Reading the Old Testament
Jeanette Mathews

The Jewish festival scrolls known as the Megillot is a collection of Old Testament books that recognize that life itself—with all its joys and griefs, successes and failures, achievements and yearnings—can be a key to interpreting Scripture.

In Reading the Megillot, Jeanette Mathews uses her own translations to reimagine each book as a different type of performance: Songs of Songs as a Greek play, Ruth as a miniseries, Lamentations as performance poetry, Ecclesiastes as a television talk show, and Esther as a pantomime. Each script is introduced with historical and literary context and followed by commentary highlighting performative features that shed new light on biblical traditions. These close readings reveal important connections between the books and contemporary issues. Through these scrolls, the drama of human experience becomes a touchpoint for faithful reenactment by new audiences.

Jeanette Mathews is Head of School and Senior Lecturer in Biblical Studies in the School of Theology at Charles Sturt University, based at St. Mark's National Theological Centre in Canberra, Australia. Prior to joining St. Mark's she was ordained as a Baptist minister and worked in Baptist churches in Victoria and the Australian Capital Territory. Her theological education took place at Baptist Theological Seminary (Rüschlikon), the University of Cape Town, and Charles Sturt University. Her research focus is Biblical Performance Criticism of the Hebrew Bible.

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The Jewish festival scrolls known as the Megillot is a collection of Old Testament books that recognize that life itself—with all its joys and griefs, successes and failures, achievements and yearnings—can be a key to interpreting Scripture.

In Reading the Megillot, Jeanette Mathews uses her own translations to reimagine each book as a different type of performance: Songs of Songs as a Greek play, Ruth as a miniseries, Lamentations as performance poetry, Ecclesiastes as a television talk show, and Esther as a pantomime. Each script is introduced with historical and literary context and followed by commentary highlighting performative features that shed new light on biblical traditions. These close readings reveal important connections between the books and contemporary issues. Through these scrolls, the drama of human experience becomes a touchpoint for faithful reenactment by new audiences.

Jeanette Mathews is Head of School and Senior Lecturer in Biblical Studies in the School of Theology at Charles Sturt University, based at St. Mark's National Theological Centre in Canberra, Australia. Prior to joining St. Mark's she was ordained as a Baptist minister and worked in Baptist churches in Victoria and the Australian Capital Territory. Her theological education took place at Baptist Theological Seminary (Rüschlikon), the University of Cape Town, and Charles Sturt University. Her research focus is Biblical Performance Criticism of the Hebrew Bible.

Reading the Megillot

Reading the Old Testament
Jeanette Mathews